1200w,https://media.npr.org/assets/img/2022/02/10/undefined-6518f647a7aba3525c708869299895c559291f6e-s1600-c85.jpg 1600w,https://media.npr.org/assets/img/2022/02/10/undefined-6518f647a7aba3525c708869299895c559291f6e-s1800-c85.jpg 1800w" sizes="(min-width: 1300px) 763px, (min-width: 1025px) calc(100vw - 496px), (min-width: 768px) calc(100vw - 171px), calc(100vw - 30px)" type="image/jpeg"/>

An engraving of the Contemplation of Justice outside the US Supreme Court in Washington, DC. STEFANI REYNOLDS/AFP via Getty Images hide caption

toggle caption
STEFANI REYNOLDS/AFP via Getty Images

An engraving of the Contemplation of Justice outside the US Supreme Court in Washington, DC.

STEFANI REYNOLDS/AFP via Getty Images

When President Biden announced that he would nominate a Black woman—the Supreme Court's first—to the seat that will be vacated by retiring Justice Stephen Breyer, criticism from some on the right began almost immediately.

Senator Ted Cruz, R-Texas, said it was "racist" to consider only Black women for the post, and Biden's decision was "insulting to African-American women."

The conversation about identity and qualifications echoes some of the questions that arose when another breakthrough appointment was announced more than 50 years ago.

In 1966 Constance Baker Motley became the first Black woman to serve on the federal bench. Her identity and lived experience as a civil rights attorney loomed large in the debate about her fitness to serve.

Tomiko Brown-Nagin, dean of Harvard Radcliffe Institute, and author of Civil Rights Queen: Constance Baker Motley and the Struggle For Equality, discusses Motley's nomination and her career. She says Motley supported the appointment of women and people of color to the federal judiciary as a way to strengthen the institution.

In participating regions, you'll also hear a local news segment to help you make sense of what's going on in your community.

Email us at This email address is being protected from spambots. You need JavaScript enabled to view it..

This episode was produced by Connor Donevan. It was edited by Fatma Tanis and Amy Isackson. Our executive producer is Cara Tallo.

Northern California
Public Media Newsletter

Get the latest updates on programs and events.